Hexx wrote:Mafro wrote:[img]https://uploads.tapatalk-cdn.com/20170818/1e45c014990a1645441a7acd9809729e.jpg[/img]
(Joking aside. That sort of duo is what I miss from the show. Gone are the days of that sort of slow story telling/and character bits it seems. Hound/Ayra road trip over X episodes was GoT as it's peak.
Bronn/Jamie had a bit of this a few weeks ago, both about Castle's and Dickon and it was one of my favorite bits
)
It's all a product of them having to finish everything in a set amount of time and with no previous template set by the books. Before everything was mapped out and they could cherry pick stuff that worked and stuff that didn't, as well as merge or omit characters. They were adapting source material.
Now they're writing it all themselves and I don't think anyone can argue against the fact that the writing isn't as good this season as it has been, and that certain characters are a bit adrift at the moment and certain locations feel a bit weak.
This could be a byproduct of having reached endgame, but I also think the writers need to shoulder some of the blame too. We'll see how GRRM deals with it, if he ever does. Even he's struggled.
But I think one marked difference this season is how the characters are now serving the plot rather than shaping it. The plot feels less like it is being heaped by characters' decisions and actions, but more that it's whisking characters along with it in order to fulfill certain needs. There's no longer the time for a few characters to have scenes together clashing heads or just interacting and discussing gooseberry fool. As one of those characters needs to be at Point X to do Y, and the other's going to be used to bring about Z.
The result has been quite a few stupid actions or decisions, the so-called plot armour debates and some people acting out of character, purely to get things where they need to go.
As I said, some of this has been forgivable, and Martin himself is seemingly struggling to get the plot where it needs to go. But at sometime you have to acknowledge that it can lead to iffy moments.
Like Bronn during the dragon attack. You can argue all you want about his expertise as a solider or how his experience as a swimmer meant he could easily carry Jamie in full armour in a matter of minutes. But these scenes feel
written rather than the realistic and natural consequences of a character. This is why people complain about plot armour or fast travel. As they know that obviously certain characters don't meet their ends at certain times for deliberate reasons, but they've been masked better in the past. The bit with Bronn was like something out of an action movie (for some reason it reminds me of Charlie Sheen in Hot Shots). It was clear to see the writers behind the scenes pulling strings to have him do cool stuff and survive.
It's the same with the fast travel. Viewers know we can't have every journey or distance shown. We know that there's a time limit. But when characters are instantly transported thousands of miles, it reminds you that they are characters serving a plot. Again, you can see the writers pulling strings again.
Plot armour and fast travel have always happened. The former in particular has become a bit of a buzz word, but every time a character is in a hairy situation and doesn't die, it's because they have "plot armour". Just this season it hasn't been as deft handled and has been a bit more obvious.
There are a few other things I'd mention as well, but I watched the leaked episode and don't want to inadvertently spoil anything.
Still a really enjoyable season, just that some concessions have been made to finish it all, and these are noticeable at times, perhaps more so when the writers had the luxury of more source material and no end point.