The Camera Thread

Fed up talking videogames? Why?
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Harry Bizzle
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PostRe: The Camera Thread
by Harry Bizzle » Sat Feb 25, 2012 12:33 pm

I would read a lot of reviews and understand just what it is you're buying, first.


In the very least, watch this:


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finish.last
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PostRe: The Camera Thread
by finish.last » Sat Feb 25, 2012 2:49 pm

I've had a good old read-up/watch-up over the last couple of hours and I have decided to buy the Panasonic GF3.

It sounds like it's just the thing for me, offering a pretty straightforward operating experience and, by all accounts, a good picture quality. It also appears to offer an increased level of user input, should the mood take me, and it's size is actually quite appealing.

It seems to have dropped the stereo mic from the GF2, which seems a bit odd, but I don't imagine that I'll be using video too often anyway (certainly nothing beyond holiday stuff).

Cheers for the input, Harry.

I called off his players' names as they came marching up the steps behind him....All nice guys. They'll finish last. Nice guys. Finish last.
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Harry Bizzle
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PostRe: The Camera Thread
by Harry Bizzle » Sat Feb 25, 2012 4:21 pm

Sounds good.

Also do you know the difference between aperture sizes of the pancake lens and the zoom and how that affects your photos? Worth looking into.

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Knoyleo
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PostRe: The Camera Thread
by Knoyleo » Fri Mar 02, 2012 11:25 pm

Dat 5D Mk III.

DPReview wrote:London, UK, 2nd March 2012 – Canon today announces the latest addition to its worldfamous EOS range with the launch of the new EOS 5D Mark III. The EOS 5D Mark IIIbuilds on the performance of the legendary EOS 5D Mark II, offering improved speed,greater resolution, enhanced processing power and extended creative options for bothstills and Full HD movies – providing unparalleled artistic freedom for the most demanding photographers.

Incorporating feedback from photographers worldwide, the EOS 5D Mark III offers improved performance in virtually every area. A new 22.3 Megapixel (MP) full-frame sensor offers the ideal balance of resolution for stills and HD movies and up to 6 frames per second (fps) shooting, whilst a 61-point AF system and 63-zone metering provide greater speed, flexibility and accuracy. Powered by the latest DIGIC 5+ processing technology, the EOS 5D Mark III also features enhanced video functions, offeringimproved image quality alongside greater audio control – redefining creative possibilities for photographers and amateur videographers alike.

"The EOS 5D Mark III represents a big step forward for the EOS 5D series" said Kieran Magee, Marketing Director, Professional Imaging, Canon Europe. "The EOS 5D Mark II is an exceptional camera and we've listened carefully to feedback from its passionate community of users to improve performance in every area. This camera has been designed to meet virtually any creative challenge – it's faster, more responsive and features the tools to adapt to everything from studio photography to creative videography, while producing results of the highest quality."
Enhanced performance

With its comprehensively upgraded specification, the EOS 5D Mark III is the ideal toolfor the growing number of photographers shooting both stills and movies. It incorporates a number of the features launched with Canon's revolutionary EOS-1D X,providing vastly improved performance, flexibility, handling and durability.

The camera's newly-developed 22.3MP full-frame sensor provides increased resolution and finer detail, enabling the capture of a wide range of scenes, from sweeping landscapes to beautiful portraits. Higher speed continuous shooting also offers expanded creative possibilities. With an increased 8-channel read out, the camera comfortably handles a maximum full resolution speed of up to 6fps in bursts of 18 RAW images or over 16,000 JPEGs1, without the need for additional accessories. Additionally, the sensor's advanced architecture offers a huge native ISO range of 100-25,600, expandable to 102,400, making it possible to capture clean, high quality pictures, even in extreme low-light conditions.

The EOS 5D Mark III utilises the same 61-point wide-area AF system as the flagship EOS-1D X, providing exceptional sensitivity, precision and speed. One of the most advanced AF systems currently available, it features an impressive 41 cross-type points and five dual cross-type points, providing unsurpassed accuracy across the frame. The customisable AF pre-sets introduced in the EOS-1D X are also available, helping the capture of traditionally challenging subjects, and providing additional reliability in ituations where subject movement can be unpredictable.

Highly accurate exposures are provided by Canon's acclaimed iFCL metering system, which incorporates a 63-zone Dual-Layer sensor linked to each point of the AF system. Focus information gathered from the AF system is analysed alongside colour and luminance signals measured by the metering sensor itself, enabling the EOS 5D Mark III to deliver consistently accurate skin tones and excellent results in a wide range of shooting situations.
Creative performance without compromise

The EOS 5D Mark III features Canon's latest DIGIC 5+ image processor, which powers a range of new functions without affecting the camera's performance. 14-bit A/D conversion provides smoother tonal gradation and transitions between colours, while in-camera HDR shooting combines three different exposures and allows one of five preset tone maps to be applied, enabling photographers to capture all the detail in high contrast scenes. With in-camera RAW processing and editing capability, photographers also have the option to immediately begin post-processing their images while still on a shoot.

The increased power of DIGIC 5+ also enables a range of tools which contribute to higher image quality. Lens peripheral illumination correction, Lens chromatic aberration correction (lateral and axial) and high ISO noise reduction are all performed in-camera without affecting performance, allowing photographers to continue shooting without any camera lag. Additionally, in-camera image rating via a dedicated button makes it easy for photographers to organise images ahead of post-production.

The EOS 5D Mark III features a new Creative Photo button, which enables users to quickly select Picture Styles and capture multiple exposures, as well as offering direct access to the HDR shooting mode. In playback, pressing the Creative Photo button displays a new comparative playback function, displaying two images side-by-side to allow photographers to view, magnify and compare the quality of different exposures mid-shoot.

For situations where photographers want to avoid being noticed, such as weddings, the EOS 5D Mark III also features a new silent shooting mode that dramatically reduces the sound of the shutter and mirror, ensuring they can work quietly in the background. A continuous silent mode is also available, enabling photographers to capture fastermoving subjects without attracting attention.
Next generation EOS Movies

The EOS 5D Mark III builds on the reputation of the EOS 5D Mark II, with a range of new features introduced following feedback received from photographers to provide even better Full HD video performance. As well as offering the depth-of-field control loved by video professionals, the new full-frame sensor combines with the vast processing power of DIGIC 5+ to improve image quality by virtually eradicating the presence of moiré, false colour and other artefacts. The addition of a movie mode switch and a recording button also offers greater usability, enabling videographers to begin shooting immediately when movie mode is engaged.

Additional movie functions include manual exposure control and an enhanced range of high bit-rate video compression options, with intraframe (ALL-I) and interframe (IPB) methods both supported. Variable frame rates range from 24fps to 60fps, and the addition of SMPTE timecode support provides greater editing flexibility and easier integration into multi-camera shoots. Users can also check and adjust audio during recording via the camera's Quick Control screen and a headphone socket enables sound level monitoring both during and after shooting. Enhanced processing power provided by DIGIC 5+ also makes it possible to conveniently trim the length of recorded movies in-camera.
Professional build, easy operation

The EOS 5D Mark III has been built to offer photographers easy-handling and robust build quality. Its lightweight, high-grade magnesium body offers advanced weather proofing for protection against the elements, while the construction of the shutter has also been reinforced, with 150,000-cycle durability making it ideal for repeated, everyday use. An enhanced version of the Intelligent Viewfinder featured in the EOS 7D offers approximately 100% coverage, as well as an on-demand grid display via the builtin transparent LCD.

The same reinforced 8.11cm (3.2") Clear View II LCD screen as used by the EOS-1D X provides high quality framing and playback in all conditions. 1,040k-pixels provide the resolution to accurately check image sharpness and focus, while the gapless structure design introduced with the EOS-1D Mark IV prevents reflections and protects against dust or scratches. A headphone socket and locking mode dial have been included, while the inclusion of a UDMA 7-compatible CF card slot plus an SD card2 slot enables shooting to both cards simultaneously, auto switching when the one in use becomes full and the option to copy images from one card to the other in-camera.
Digital Lens Optimizer – new in Digital Photo Professional v3.11

The EOS 5D Mark III comes complete with the most advanced version of Digital Photo Professional (DPP) yet – Canon's free, in-box software enabling high-speed, high quality processing of RAW images. New in DPP v3.11 is Digital Lens Optimizer – a revolutionary new tool designed to drastically improve image resolution.

Digital Lens Optimizer (DLO) precisely imitates lens performance, with a series of complex mathematical functions replicating each stage of the journey of light through the optical path. Using this information DLO can correct a range of typical optical aberrations and loss of resolution caused by a camera's low pass filter, by applying an inverse function to each shot to take the image nearer to how the scene appears to the naked eye. This creates exceptionally detailed, high-quality images with highly manageable file sizes, providing photographers with maximum image quality and greater flexibility.
EOS System compatibility

As part of the EOS System, the EOS 5D Mark III is immediately compatible with over 60 EF Lenses, including the EF 24-70mm f/2.8L II USM – the new, essential wide-angle zoom lens from Canon's famous L-series. The camera is also compatible with a newlyannounced range of accessories designed to offer extended creativity, including the Speedlite 600EX-RT – a high performance TTL flash with wireless radio connectivity. Additionally, the new Battery Grip BG-E11 offers greater handling flexibility alongside the ability to double the camera's battery life.

Canon EOS 5D Mark III – Key features:

22.3 Megapixel full-frame sensor
61-point autofocus
Up to 6fps continuous shooting
Native ISO 100-25,600 sensitivity
Full HD video with manual control
14-bit DIGIC 5+ processor
Enhanced Weather sealing
8.11cm (3.2-inch) 1,040,000-dot screen
HDR mode with presets



pjbetman wrote:That's the stupidest thing ive ever read on here i think.
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Harry Bizzle
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PostRe: The Camera Thread
by Harry Bizzle » Sat Mar 03, 2012 5:29 pm

Bit of a letdown in light of the D800. Not to mention it's $500 more expensive.

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Knoyleo
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PostRe: The Camera Thread
by Knoyleo » Sat Mar 03, 2012 8:16 pm

Harry Bizzle wrote:Bit of a letdown in light of the D800.

Really? They're pretty close, but the 5D seems to edge it all but lol megapickles. It's got higher burst rate, more AF points, and a wider native ISO range.

pjbetman wrote:That's the stupidest thing ive ever read on here i think.
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Harry Bizzle
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PostRe: The Camera Thread
by Harry Bizzle » Sat Mar 03, 2012 10:20 pm

The AF points are a bit of a much of a muchness imo, but I'm interested to see how their ISO performance compares. Wouldn't be surprised if that's where the MkIII shows Nikon who's boss.


As an aside, I think the 36megapickles and lack of AA filter is going to turn up some fantastic landscape photos.

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PostRe: The Camera Thread
by Exxy » Sun Mar 04, 2012 12:33 am

strawberry floating hell, this Lightroom 4 Beta is really earning it's name. Crashing every 10 minutes or so. Wish the program itself wasn't so strawberry floating expensive.

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Dual
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PostThe Camera Thread
by Dual » Sun Mar 04, 2012 10:01 am

Pirate it

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darksideby182
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PostRe: The Camera Thread
by darksideby182 » Mon Mar 12, 2012 10:37 pm

Whats the best remote software for a eos 400d , have used the trial of dslr remote pro and its a bit all over the place with connecting and not connecting same with eos utility.

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PostRe: The Camera Thread
by Poser » Thu Mar 15, 2012 10:25 am

Quick advice needed - this looks like an outstanding price for a new 550D body, which I think I'm gonna buy the Mrs for her BDay.

http://slrhut.co.uk/product/ID303C5/446 ... dy-Only_-/

Can anyone see an obvious catch or should I be telling them to shut up and take my money?

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Knoyleo
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PostRe: The Camera Thread
by Knoyleo » Thu Mar 15, 2012 10:30 am

Poser wrote:Quick advice needed - this looks like an outstanding price for a new 550D body, which I think I'm gonna buy the Mrs for her BDay.

http://slrhut.co.uk/product/ID303C5/446 ... dy-Only_-/

Can anyone see an obvious catch or should I be telling them to shut up and take my money?


http://blog.photo3.co.uk/2011/12/is-slr ... views.html

SLR Hut are not a UK company. They are not registered with Companies House so although they show a UK address they operate and send goods from the USA. Electronic goods sent from the USA would not have a European warranty, are likely to be grey imports and possibly may also be used.

A review of prices on the SLRhut website shows they do not include tax and duties so when you get to the checkout the price with duty is much higher that the apparent site prices.


Some people online seem to have had good experiences with them, and yes, you'll probably get yourself the camera for a knock down price, but that's the world of grey imports for you. That one year warranty probably won't be a European one, so if anything does go wrong, you might well have to return it stateside.

But yeah, don't do it.

pjbetman wrote:That's the stupidest thing ive ever read on here i think.
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PostRe: The Camera Thread
by Poser » Thu Mar 15, 2012 10:40 am

Awesome, thanks. If it seems too good to be true...

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Knoyleo
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PostRe: The Camera Thread
by Knoyleo » Wed Mar 21, 2012 4:45 pm

Not directly camera related, but it's close enough. Has anyone here ever dabbled in developing their own film? The cost of getting my films developed is creeping up all the time, and I'm seriously considering just stumping up for the kit and the chemicals to start doing at least some b&w stuff myself.

pjbetman wrote:That's the stupidest thing ive ever read on here i think.
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OldSoulCyborg
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PostRe: The Camera Thread
by OldSoulCyborg » Wed Mar 21, 2012 9:34 pm

I have, but it's been a while and I wouldn't feel comfortable giving out advice. I do know that colour film development is supposed to be quite a bit more difficult (you have to be a lot more accurate with regards to the temperature of the various baths and rinses). And you can't use the the same chemicals for both b&w and colour.
There's probably a few good tutorials up on Youtube.

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That's not a growth
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PostRe: The Camera Thread
by That's not a growth » Wed Mar 21, 2012 10:33 pm

Also for colour you can't do it in red light, it has to be pitch black, so you have to practice with B+W loads so you know exactly what you're doing.

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Knoyleo
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PostRe: The Camera Thread
by Knoyleo » Thu Mar 22, 2012 12:55 am

Yeah, I'd just be sticking with B&W for now, although it would just be developing negs in a developing tank, I definitely don't have space to set up a dark room for prints and enlarging, sadly. Probably look to get a scanner, or that macro photo on a DSLR trick, to get digital copies of them. I've done a fair bit of background research on it, I just wondered if anyone on here had any personal experience with it and tips to share.

pjbetman wrote:That's the stupidest thing ive ever read on here i think.
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Kezzer
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PostRe: The Camera Thread
by Kezzer » Sat Apr 21, 2012 9:32 am

I too am looking for help.

I have a Canon A1 camera with Canon FD lenses in 28mm 50mm and 80-200 mm zoom
Idealy I am looking to get a new DSLR that would be able to take these Lenses, mainly the zoom.. idk but it seems like a good lense to hold onto.

I have a budget from £700.00 to £1000.00 max

can anyone give me points/tips in looking for a new DSLR

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Harry Bizzle
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PostRe: The Camera Thread
by Harry Bizzle » Sun Apr 22, 2012 1:29 pm

I'm not overly fussed, but my camera has been made obsolete:

Nikon has announced the D3200 24MP entry-level DSLR that can be used with an optional WU-1a Wi-Fi module. The camera can now shoot up to 1080p30 video (rather than the D3100's 24p) and has a 920k dot LCD, up from 230k dots. Beyond this, and improved continuous shoot rate despite the pixel-count hike, the biggest change is the ability to add the Wi-Fi unit. The WU-1a will sell for a recommended sale price of $59.95/£54.99/€59 and will be able to broadcast to smartphones over a 49ft range. The D3200 is expected in late April at an MSRP of $699.95/£649.99/€699.

The WU-1a will be available from May and will initially support image upload and remote viewing/shutter release with a free app for Android phones (version 2.3 and newer). An iOS version of the app will follow later in the year. Details are vague but we're told the app allows full-sized or VGA images to be transferred from the camera and that a live preview is available on the phone, but with only the ability to fire the trigger, not change camera settings.


Image

http://www.dpreview.com/news/2012/04/19 ... iFi-Option


Couldn't care less about the WiFi, but Dem Megapixels.

On the upside my 14MP RAW files are massive enough, thanks.

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$ilva $hadow
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PostRe: The Camera Thread
by $ilva $hadow » Tue Apr 24, 2012 12:13 pm

Entry level DSLRs are a joke and should be avoided anyway.

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