Partridge Iciclebubbles wrote:Blue Baubles wrote:Partridge Iciclebubbles wrote:Blue Baubles wrote:Partridge Iciclebubbles wrote:Blue Baubles wrote:Partridge Iciclebubbles wrote:Blue Baubles wrote:Partridge Iciclebubbles wrote:In the context of the song, it’s a woman absolutely pissed off with her deadbeat partner/husband and in the midst of an argument she calls him a name.
So the question is whether it is ok to call somebody a “******” when you are angry with them.
The answer of course is no, it’s not acceptable to shout racist/homophobic/sexist slurs at somebody, no matter how much they piss you off.
So is it homophobic to sing along to that part of the song? Yes.
And it is not really very similar to “*****” in rap songs. As far as I am aware Kirsty MacColl wasn’t a gay man.
But would you say anyone singing along to it is a homophobe, as the man I referred to in the OP did?
Not necessarily. People might be unaware of the meaning of the word (unlikely but possible) or they might just be singing along to a song without thinking about it.
There’s little doubt it’s a homophobic lyric though. MacGowan might not have meant it that way, it was a common insult back then, but it definitely is known to be offensive nowadays.
But if you can't necessarily ascribe an attitude to MacGowan based on it - being as it is markedly a dialogue between two characters, then surely that implies that context is the crucial thing here. It can't be a homophobic lyric if the intent wasn't to be homophobic, right?
I don’t think I did ascribe an attitude to MacGowan, I specifically said he might not have meant it that way, he may have just reached for a common insult (at the time) and not thought much about it.
That doesn’t change it being homophobic though. If the lyric was “you scumbag, you sinner, you cheap lousy ******”, would you say the line was not racist?
I would say it doesn't rhyme.
Cool.
Come on, Mogg, I was just joking.
I didn't say you did ascribe an attitude to MacGowan, I was saying that the fact that you were not suggests that context is key. I guess if that's what I think then also I would have to say that your alternative line if it was in the song I wouldn't necessarily think it's a racist line. I don't think a word or line can be racist alone, I guess. It has to be imbued with intent to offend. Otherwise, I could criticise you for not using the "N word" in your post.
Of course it has to be imbued with intent to offend. Which “******” is in the context of that song. The lady in the song is using it to offend, MacGowan might not have wanted to, but it doesn’t change the fact that “******” is used as a slur.
My use of the full version of the “N word” had no intent to offend, it was there to illustrate a point.
You still used it, though, and many people would say that no white person should ever use it in any context. Not something I would necessarily agree with, of course. And as I said before, the song is markedly a dialogue between arguing characters. It's a bit like slagging off the Sopranos for having racist and homophobic characters isn't it?