Albear wrote:I think its telling that all the good bits are straight from the comics, and all the rubbish is stuff they have decided to add. Really doesn't reflect very well on the tv writers.
Or the TV industry as a whole.
I remember reading about how 24's writers never knew how a season was going to end when they started it, because of the way filming schedules work. They often never know if they're getting another series, at any point, so they end up hedging their bets. Obviously fiction is all 'made up' but they are quite often literally making it up as they go along.
From the point of view of creating decent narrative, the best thing they can do for TWD, and most TV shows, is set a fixed end point and stick to it. But they never will because they have to make funding decisions on the fly based on audience figures, syndication sales and advertising rates.
It's a really shitty industry
![Laughing :lol:](./images/smilies/standard/icon_lol.gif)
(That doesn't excuse the crapness of many segments of TWD, but in terms of the overall story arcs, it's easy to see how they get it so wrong.)